Introduction: Critical Explorations of Media Modernity in India
DOI:
https://doi.org/10.3384/cu.2000.1525.2018103322Keywords:
IntroductionAbstract
No abstract available.
References
<p>Alexander, Jeffrey C. (2013): <em>The Dark Side of Modernity</em>, Cambridge: Polity.</p><p>Appadurai, Arjun (1996): <em>Modernity at Large. Cultural Dimensions of Globalization</em>, Minneapolis: University of Minnesota Press.</p><p>Athique, Adrian (2012): “Media Provision and the New Leisure Economy”, Indian Media: Global Approaches. Cambridge: Polity, 131–150.</p><p>Azoulay, Ariella (2015): <em>Civil Imagination: A Political Ontology of Photography</em>, London: Verso.</p><p>Banaji, Shakuntala (2018): “Vigilante Publics: Orientalism, Modernity and Hindutva Fascism in India”, <em>Javnost – The Public</em>, <a href="https://doi.org/10.1080/13183222.2018.1463349" target="_blank">https://doi.org/10.1080/13183222.2018.1463349</a><a href="https://doi.org/10.1080/13183222.2018.1463349"></a>.</p><p>Bauman, Zygmunt (2000): <em>Liquid Modernity</em>, Cambridge: Polity.</p><p>Bhatt, S.C. (1994) <em>Satellite Invasion of India</em>, New Delhi: Gyan Publishers.</p><p>Bhattacharya, Sanjukta (2017): „#MeToo, say Sita and Savitri“, WION South Asia: http://www.wionews.com/india-news/metoo-say-sita-and-savitri-23112 (accessed</p><p>Beck, Ulrich (1986/1992): <em>Risk Society: Towards a New Modernity</em>, Thousand Oaks: Sage Publications.</p><p>Butler, Judith (2009): <em>Frames of War: When is Life Grievable?</em>, London: Verso.</p><p>Carr, Paul R., Michael Hoechsmann and Gina Thésée (2018): <em>Democracy 2.0: Media, Political Literacy and Critical Engagement, </em>Leiden: Brill.</p><p>Chakravartty, Paula & Srirupa Roy (2015): “Mr. Modi goes to Delhi: Mediated Populism and the 2014 Indian Elections”, <em>Television & New Media </em>16 (4), 311–322. <a href="https://doi.org/10.1177/1527476415573957" target="_blank">https://doi.org/10.1177/1527476415573957</a></p><p>Cottle, Simon (1998): “Ulrich Beck, ‘Risk Society’ and the Media”, <em>European Journal of Communication </em>13(1), 5–32. <a href="https://doi.org/10.1177/0267323198013001001" target="_blank">https://doi.org/10.1177/0267323198013001001</a></p><p>Dirlik, Arif (2007): <em>Global Modernity: Modernity in the Age of Global Capitalism</em>, Boulder: Paradigm Publishers.</p><p>Downey, John & Taberez Neyazi (2014): “Complementary and Competitive Logic of Mediatization:Political, Commercial, and Professional Logics in Indian Media”, <em>The International Journal of Press/Politics </em>19 (4), 476–495. <a href="https://doi.org/10.1177/1940161214545809" target="_blank">https://doi.org/10.1177/1940161214545809</a></p><p>Ellis, John (2004): “Television Production”, Robert C. Allen & Annette Hill (eds.): <em>The Television Studies Reader, </em>London and New York: Routledge, 275–292.</p><p>Giddens, Anthony (1996): “Affluence, Poverty, and the Idea of a Post-Scarcity Society”, <em>Development and Change </em>27 (2), 365–377. <a href="https://doi.org/10.1111/j.1467-7660.1996.tb00595.x" target="_blank">https://doi.org/10.1111/j.1467-7660.1996.tb00595.x</a></p><p>Gingrich, Andre/Marcus Banks (2006): <em>Neo-Nationalism in Europe and Beyond</em>, London/New York: Berghahn.</p><p>Herman, Edward & Robert McChesney (1997): <em>The Global Media: New Missionaries of Corporate Capitalism</em>, London: Cassell.</p><p>ISRO (n.d.): “Dr.Vikram Sarabhai”, ISRO/Government of India-website, https://www.isro.gov.in/drvikram-sarabhai (accessed 2019-01-18)</p><p>Kreis, Ramona (2017): “The ‘Tweet Politics’ of Donald Trump”, <em>Journal of Language and Politics </em>6 (4), 607-618. <a href="https://doi.org/10.1075/jlp.17032.kre" target="_blank">https://doi.org/10.1075/jlp.17032.kre</a></p><p>Krige, John, Angelina Long Callahan & Ashok Maharaj (2013): “Satellite Broadcasting in Rural India: the SITE Project”, <em>NASA in the World: Fifty Years of International Cooperation in Space</em>, Basel: Springer, 235–246. <a href="https://doi.org/10.1057/9781137340931_12" target="_blank">https://doi.org/10.1057/9781137340931_12</a></p><p>Latour, Bruno (2018): <em>Down to Earth: Politics in the New Climatic Regime</em>, Cambridge: Polity.</p><p>Mankekar, Purnima (1999): <em>Screening Culture, Viewing Politics. Television, Womanhood and Nation in Modern India</em>, Durham: Duke University Press.</p><p>Ohm, Britta (2014): “Contesting Interpretational Authority: Democracy and Fascism in the Indian ‘Empowered Public’”, <em>Media International Australia </em>152 (1), 119–132. <a href="https://doi.org/10.1177/1329878X1415200113" target="_blank">https://doi.org/10.1177/1329878X1415200113</a></p><p>Ohm, Britta (2007): <em>The Televised Community: Culture, Politics and the Market of Visual Representation in India</em>, Frankfurt: European University Viadrina, <a href="https://opus4.kobv.de/opus4-euv/frontdoor/index/index/year/2011/docId/45">https://opus4.kobv.de/opus4-euv/frontdoor/index/index/year/2011/docId/45</a>. </p><p>Pal, Joyojeet (2015): “Banalities turned Viral: Narendra Modi and the Political Tweet”, <em>Television & New Media </em>16 (4), 378–387. <a href="https://doi.org/10.1177/1527476415573956" target="_blank">https://doi.org/10.1177/1527476415573956</a></p><p>Parthasarathi, Vibodh (2018): “Constituted Contexts”, <em>The Indian Media Economy, Vol.1: Industrial Dynamics and Cultural Adaptation</em>. Edited by A. Athique, V.</p><p>Parthasarathi & SV. Srinivas, New Delhi: Oxford University Press, 93–103.</p><p>Pendakur, Manjunath (1988): “Mass Media during the 1975 National Emergency in India”, <em>Canadian Journal of Communication </em>13 (6), 32–48. <a href="https://doi.org/10.22230/cjc.1988v13n6a3159" target="_blank">https://doi.org/10.22230/cjc.1988v13n6a3159</a></p><p>Rajagopal, Arvind (2001) <em>Politics After Television: Hindu Nationalism and the Reshaping of the Public in India</em>, Cambridge: Cambridge University Press. <a href="https://doi.org/10.1017/CBO9780511489051" target="_blank">https://doi.org/10.1017/CBO9780511489051</a></p><p>Robins, Kevin/David Morley (1995): <em>Spaces of Identity: Global Media, Electronic Landscapes and Cultural Boundaries</em>, London/New York: Routledge.</p><p>SASNET (2016): <em>Modern Matters: Negotiating the Future of Everyday Life in South Asia</em>, Conference 20–22 September 2016 in Lund, Sweden https://www.sasnet.lu.se/conferences/sasnet-conferences/modern-matters-negotiating-the-future-of-everyday-life-in-south-asia-2016 (accessed 2019-01-10)</p><p>Schiller, Herbert I. (1991): “Not yet the post-imperialist era“, <em>Critical Studies in Mass Communication </em>8 (1), 13–28. <a href="https://doi.org/10.1080/15295039109366777" target="_blank">https://doi.org/10.1080/15295039109366777</a></p><p>Sontag, Susan (2003): <em>Regarding the Pain of Others</em>, New York: Picador.</p><p>Sonwalkar, Prasun (2002): “Murdochization of the Indian press: from by-line to bottom-line”, <em>Media, Culture & Society </em>24 (6), 821–834. <a href="https://doi.org/10.1177/016344370202400605" target="_blank">https://doi.org/10.1177/016344370202400605</a></p><p>Ståhlberg, Per (2014): “Population and Publics in the Indian Communication Society”, <em>Media International Australia </em>152 (1), 158–166. <a href="https://doi.org/10.1177/1329878X1415200116" target="_blank">https://doi.org/10.1177/1329878X1415200116</a></p><p>Ståhlberg, Per (2006): “On the journalist beat in India: Encounters with the near familiar”, <em>Ethnography </em>7 (1), 47–67. <a href="https://doi.org/10.1177/1466138106064827" target="_blank">https://doi.org/10.1177/1466138106064827</a></p><p>Sulehria, Farooq (2017): <em>Media Imperialism in India and Pakistan</em>, London and New York: Routledge.</p><p>Sundaram, Ravi (2010): <em>Pirate Modernity: Delhi’s media urbanism</em>, London and New York: Routledge.</p><p>The Hindu (2018a): “Activists: We are in an undeclared emergency imposed by Modi”, <em>The Hindu </em>29 August 2018. https://www.thehindu.com/news/national/karnataka/activists-we-are-in-an-undeclared-emergency-imposed-by-modi/article24812751.ece (accessed 2019-01-18)</p><p>The Hindu (2018b): “Modi sees India making a big contribution to ‘4th Industrial Revolution’”, <em>The Hindu </em>2018-10-11, <a href="https://www.thehindu.com/news/national/4th-industrial-revolution-to-change-nature-of-jobs-modi/article25193154.ece">https://www.thehindu.com/news/national/4th-industrial-revolution-to-change-nature-of-jobs-modi/article25193154.ece</a> (accessed 2019-01-18)</p><p>Thompson, John B (1995): <em>The Media and Modernity: A Social Theory of the Media</em>, Stanford: Stanford University Press.</p><p>Tsing Anna, Heather Swanson, Elaine Gan & Nils Bubandt (eds 2017): <em>Arts of Living on a Damaged Planet: Ghosts and Monsters of the Anthropocene</em>, Minneapolis: University of Minnesota Press.</p><p>Udupa, Sahana (2010): “Mediatized India: Publics, Policy, and Politics of Media Visibility”, <em>Center for the Advanced Study of India</em>, University of Pennsylvania: <a href="https://casi.sas.upenn.edu/iit/udupa">https://casi.sas.upenn.edu/iit/udupa</a></p><p>Varindia (2018): “PM launches Centre for the Fourth Industrial Revolution”, <em>Varindia </em>2018-10-16, https://www.varindia.com/news/pm-launches-centre-for-the-fourth-industrial-revolution (accessed 2019-01-18)</p><p>Wilson, Rob & Wimal Dissayanake (eds) (1996): <em>Global/Local: Cultural Production and the Transnational Imaginary</em>, Durham: Duke University Press. <a href="https://doi.org/10.1215/9780822381990" target="_blank">https://doi.org/10.1215/9780822381990</a></p><p>Wolfgang, J. David (2018): “Taming the ‘trolls’: How journalists negotiate the boundaries of journalism and online comments”, <em>Journalism</em>, <a href="https://doi.org/10.1177/1464884918762362" target="_blank">https://doi.org/10.1177/1464884918762362</a></p><p>Zinn, Jens Oliver (2016): “Living in the Anthropocene: towards a risk-taking society”, <em>Environmental Sociology </em>2 (4): 385–394. <a href="https://doi.org/10.1080/23251042.2016.1233605" target="_blank">https://doi.org/10.1080/23251042.2016.1233605</a></p>
Downloads
Published
2019-02-13
How to Cite
Ohm, B., Parthasarathi, V. and Ståhlberg, P. (2019) “Introduction: Critical Explorations of Media Modernity in India”, Culture Unbound, 10(3), pp. 322–331. doi: 10.3384/cu.2000.1525.2018103322.
Issue
Section
Critical Explorations of Media Modernity in India
License
Copyright (c) 2019 Britta Ohm, Vibodh Parthasarathi, Per Ståhlberg
This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Copyright for all manuscripts rests with the author(s). The editors reserve the right to edit manuscripts. Contributors are responsible for acquiring all permissions from the copyright owners for the use of quotations, illustrations, tables, etc. Each author must, before final publication fill, in a publishing agreement provided by LiU E-Press.
Since 2021 Culture Unbound uses a Creative Commons: Attribution license for new articles, which allows users to distribute the work and to reform or build upon it without the author's permission. Full reference to the author must be given. For older articles please see each article landing page.
