The Author on Stage: Björn Ranelid as Performance Artist

Authors

  • Torbjörn Forslid Centre for Languages and Literature, Lund University, Sweden
  • Anders Ohlsson School of Arts and Communication, Malmö University, Sweden

DOI:

https://doi.org/10.3384/cu.2000.1525.10231529

Keywords:

Björn Ranelid, performance studies, literary performance, author readings, Richard Schechner, Erika Fischer-Lichte

Abstract

Media development has profoundly affected the literary public sphere. Authors as well as politicians may feel obliged to follow “the law of compulsory visibility” (John B. Thompson). All contemporary writers, be it bestselling authors or exclusive, high brow poets, must in one way or another reflect on their marketing and media strategies. Meeting and communicating with the audience, the potential readers, is of critical importance. In the article “The Author on Stage”, the authors consider how different literary performances by Swedish novelist Björn Ranelid (b. 1949) help establish his “brand name” on the literary market place.

References

Andrews, Malcolm (2006): Charles Dickens and His Performing Selves. Dickens and the Public Readings, Oxford: Oxford University Press.

Baumgartner, Walter (2001): ”Jazz & Poetry”, Walter Baumgartner et al. (eds), Skriva om jazz – skriva som jazz. Artiklar om ord och musik, Lund: Absalon.

Carlsson, Janne (1997): ”Elva böcker på fjorton år – en dödssynd bland finkulturella”, Dagen 27/11 1997.

Eriksson, Magnus (1990): ”Den pågående utopin. Om Björn Ranelid”, Lars Elleström & Cecilia Hansson (eds), Samtida. Essäer om svenska författarskap, Stockholm: Alba.

Fischer-Lichte, Erika (2008): The Transformative Power of Performance: A New Aesthetics (2004), Eng. transl., London & New York: Routledge.

Forslid, Torbjörn & Anders Ohlsson (2009): Fenomenet Björn Ranelid, Malmö: Roos & Tegnér.

Franzén, Lars-Olof (1996): ”Språket kränger. Kärlek, skuld och 40-tal i Björn Ranelids nya roman”, Dagens Nyheter 10/9.

Författarförbundet, ”Minimirekommendation för författarframträdanden”,

http://www.forfattarforbundet.se/sff/images.nsf/0/4A8FCA04C7B9AAA7C12572A300394608/$file/FRAMTRADANDEN_2010.pdf (2010-10-15).

Johannesson, Kurt (2003): Retorik eller konsten att övertyga, Stockholm: Pan

Lions Clubs International (2010): ”About Lions”, http://www.lionsclubs.org/EN/about-lions/index.php (2010-10-15).

Nilsson, Per (2009): “Tales och Ranelid trollband Scala”, Ystads Allehanda, 7/2 2009.

Ong, Walter J. (2002): Orality and Literacy. The Technologizing of the Word, sec. ed., London: Routledge.

Ranelid, Björn (1997): Till alla människor i himlen och på jorden, Stockholm: Bonniers.

Ranelid, Björn (2000): Min son fäktas mot världen, Stockholm: Bonniers.

Ranelid, Björn (2003): Kvinnan är första könet, Stockholm: Bonniers.

Ranelid, Björn (2007): Öppet brev till George W Bush, Stockholm: Bonniers.

Röda rummet (TV programme), 3/3 2002.

Schechner, Richard (2006): Performance Studies. An Introduction, 2. ed., New York & London: Routledge.

Tales (2010): http://www.tales.se/ (2010-10-15).

Vinge, Louise (2005): ”Selma Lagerlöf och högläsningens konst”, Maria Karlsson & Louise Vinge (eds), I Selma Lagerlöfs värld, Stockholm/Stehag: Brutus Östlings bokförlag Symposion, pp. 38–53.

Downloads

Published

2010-11-04

How to Cite

Forslid, T. and Ohlsson, A. (2010) “The Author on Stage: Björn Ranelid as Performance Artist”, Culture Unbound, 2(4), pp. 529–551. doi: 10.3384/cu.2000.1525.10231529.

Issue

Section

Theme: Literary Public Spheres