Introduction: Studying Junctures of Motion and Emotion
No abstract available.
Ahmed, Sara (2004): The Cultural Politics of Emotion, Edinburgh: Edinburgh University Press.
Ahmed, Sara (2010): The Promise of Happiness, Durham: Duke University Press. doi: 10.1215/9780822392781
Brennan, Teresa (2004): The Transmission of Affect, New York: Cornell University Press.
Cresswell, Tim (2011): Mobilities I: Catching Up, Progress in Human Geography, 35:4, 550-558.
Cresswell, Tim & Merriman, Peter (eds) (2011): Geographies of Mobilities: Practices, Spaces, Subjects, Burlington: Ashgate. doi: 10.1177/0309132510383348
Davies, Charlotte Aull (1999): Reflexive Ethnography: A guide to Researching Selves and Others, London: Routledge.
Koivunen, Anu (2010): An Affective Turn? Re-imagining the Subject of Feminist Theory, Mari-anne Liljeström & Susanna Paasonen (eds): Working with Affect in Feminist Readings: Disturb-ing Difference, London: Routledge, 8-28.
Massumi, Brian (2002): Parables for the Virtual: Movement, Affect, Sensation, Durham: Duke University Press. doi: 10.1215/9780822383574
Mountz, Alison (2010): Seeking Asylum: Human Smuggling and Bureaucracy at the Border, Min-neapolis: University of Minnesota Press.
Mountz, Alison (2011): Refugees – Performing Distinction: Paradoxical Positionings of the Dis-placed, Tim Cresswell & Peter Merriman (eds): Geographies of Mobilities: Practices, Spaces, Subjects, Burlington: Ashgate, 255-268.
Sheller, Mimi & John Urry (eds) (2006): Mobile Technologies of the City, New York: Routledge.
Urry, John (2002): Mobility and Proximity, Sociology, 36:2, 255-274. doi: 10.1177/0038038502036002002
Copyright (c) 2015 Werner
This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Copyright for all manuscripts rests with the author(s). The editors reserve the right to edit manuscripts. Contributors are responsible for acquiring all permissions from the copyright owners for the use of quotations, illustrations, tables, etc. Each author must, before final publication fill, in a publishing agreement provided by LiU E-Press.
Since 2021 Culture Unbound uses a Creative Commons: Attribution license for new articles, which allows users to distribute the work and to reform or build upon it without the author's permission. Full reference to the author must be given. For older articles please see each article landing page.