L’ENNUI DES SYRTES OR THE BOREDOM OF EMPIRES
ON COLLECTIVE MOOD OF EXISTENTIAL BOREDOM IN JULIEN GRACQ’S THE OPPOSING SHORE
DOI:
https://doi.org/10.3384/cu.4933Keywords:
boredom, Julien Gracq, The Opposing Shore, Spengler, collective mood, societal existential boredomAbstract
The paper presents the phenomenon of boredom in Julien Gracq’s novel Le Rivage des Syrtes (The opposing shore). The book describes Orsenna, oligarchic city-state loosely based on Venetian republic and empire, which is in a state of phoney war with Farghestan, a mysterious country across the closed sea of Syrtes. The story, narrated by Aldo, young aristocrat assigned for civic duty on the outskirts of empire, depicts the collective mood of anxious anticipation and boredom of the citizens of Orsenna “waiting for barbarians.” The paper analyses Gracq’s novel as a literary illustration of the theories of civilization demise, primarily that of Oswald Spengler, and of the decadence state of society led by bored and languorous elite. In the article, I hypothesize that the demise of empires can be partially attribute to them being boring for their civic agents and subjects alike. The sense of meaninglessness and the feeling of interminable ennui seem to contribute to the attitude of carelessness in both these groups resulting in lack of loyalty and low morale. I suggest that Orsenna’s citizens suffer from societal existential boredom and that similar affliction might have been observed in late British Empire.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2024 Mariusz Finkielsztein
This work is licensed under a Creative Commons Attribution 4.0 International License.
Copyright for all manuscripts rests with the author(s). The editors reserve the right to edit manuscripts. Contributors are responsible for acquiring all permissions from the copyright owners for the use of quotations, illustrations, tables, etc. Each author must, before final publication fill, in a publishing agreement provided by LiU E-Press.
Since 2021 Culture Unbound uses a Creative Commons: Attribution license for new articles, which allows users to distribute the work and to reform or build upon it without the author's permission. Full reference to the author must be given. For older articles please see each article landing page.