Discovering Spotify - A Thematic Introduction
DOI:
https://doi.org/10.3384/cu.2000.1525.1792130Keywords:
EditorialAbstract
No abstract available.
References
Åkesson, Nils (2007): “De kan tjäna 900 miljoner”, Dagens Industri, January 16.
Allen Anderson, Paul (2015): “Neo-Muzak and the Business of Mood” Critical Inquiry 41(4), 811-840.
Andersson Schwarz, Jonas (2013): Online File Sharing: Innovations in Media Consumption, London: Routledge.
Apple (2015): Video recording from June event 2015, June 8. http://www.apple.com/ live/2015-june-event/
Barbrook, Richard (2007): Imaginary futures: from thinking machines to the global village, London: Pluto.
Bean, Charles (2016): “Independent review of UK economic statistics”, HM Treasury Report https://www.gov.uk/government/publications/independent-review-of-uk-economic-statistics-final-report (Accessed 15/03/17)
Bercovici, Jeff (2012): “Spotify Adds Features, Taking a Page From, Yes, Myspace”, Forbes, December 6.
Bertoni, Steven (2012): “Spotify’s Daniel Ek: The Most Important Man In Music”, Forbes January 4. http://www.forbes.com/sites/stevenbertoni/2012/01/04/spotifys-daniel-ek-the-most-important-man-in-music/#5d77b2520263 (Accessed 15/03/17)
Billboard (2016): “Billboard’s 2016 Power 100 List Revealed”, Billboard, February 12. http://www.billboard.com/articles/business/6874816/billboards-2016-power- 100-list-revead (Accessed 15/03/17)
Bloomberg (2016): “Spotify focuses on localisation to smooth next expansion in Asia”, July 20. http://www.businesstimes.com.sg/consumer/spotify-focuses-on-localisation-to-smooth-next-expansion-in-asia (Accessed 15/03/17)
Bruno, Antony (2009): “See Spotify run”, Billboard, 121(25), p. 11
Bruhn Jensen, Klaus (2011): “New Media, Old Methods - Internet Methodologies and the Online/Offline Divide”, Mia Consalvo & Charles Ess (eds): The Handbook of Internet Studies, London: Blackwell.
Brynjolfsson, Erik & Andrew McAfee (2014): The second machine age: work, progress, and prosperity in a time of brilliant technologies, New York: W. W. Norton & Company.
Chun, Wendy (2011): Programmed Visions: Software and Memory, Cambridge, Mass: MIT Press.
Coyle, Diane (2014): GDP: a brief but affectionate history, Princeton: Princeton University Press.
Crunchbase (2016): “Spotify”. https://www.crunchbase.com/organization/spotify
Dredge, Stuart (2015): “Apple Music interview: ‘Algorithms can’t do it alone – you need a human touch’”, The Guardian, June 9.
Economist (2009): “The triumph of the monthly bill”, The Economist, October 8.
Economist (2016): “The trouble with GDP”, The Economist, April 30.
Edwards, Jim (2016): “Spotify is causing a major problem for economists”, Business Insider, September 26 http://www.businessinsider.de/spotify-problem-for-economists-2016-9(Accessed 15/03/17)
Ernst, Wolfgang (2013): Digital Media and the Archive, Minneapolis: University of Minnesota Press.
Felländer, Anna (2015): “The opportunities and challenges of digitalisation”, Digital Opportunities, Report from the Digitalisation Commission (SOU 2015:65).
Financial Times (2011): “Spotify bows to privacy pressure as Facebook sharing meets friction”, blog post, September 29. http://blogs.ft.com/tech-blog/2011/09/spotify-private-listening/(Accessed 15/03/17)
Fleischer, Rasmus (2015): “Towards a Postdigital Sensibility: How to get Moved by too Much Music”, Culture Unbound 7, 255–269.
Fleischer, Rasmus (forthcoming, 2017): “Nätutopier och nätdystopier. Om 2000-talets sökande efter internets väsen”, Anders Burman & Lena Lennerhed (eds): Samtider, Göteborg: Daidalos.
Galuszka, Patryk (2015): “Music Aggregators and Intermediation of the Digital Music Market”, International Journal of Communication 9, 254–273.
Garfinkel, Harold (1967): Studies in Ethnomethodology, Englewood Cliffs: Prentice Hall.
Guardian (2016): “Spotify in advanced talks to buy SoundCloud, reports say”, 28 September. https://www.theguardian.com/technology/2016/sep/28/spotify-soundcloud-acquisition-reports(Accessed 15/03/17)
Johansson, Sara (2015): “Så startade Spotify”, Centre for Business History, February 2 http://naringslivshistoria.se/bizstories-nyheter/naringslivshistoria/en-bra-ide-ar-bara-borjan/(Accessed 15/03/17)
Kirschenbaum, Matthew (2008): Mechanisms. New Media and the Forensic Imagination, Cambridge, Mass: MIT Press.
Marres, Noortje & Gerlitz, Carolin (2016): “Interface methods: renegotiating relations between digital social research, STS and sociology”, The Sociological Review 64, 21-46.
Morozov, Evgeny (2013): To Save Everything, Click Here: The Folly of Technological Solutionism, New York: Public Affairs.
Music Week (2009): “What does the future hold for Spotify?”, Music Week 36, 15.
Peoples, Glenn (2010): “Is Spotify really all that?”, Billboard, 122(44), 20–21.
Peoples, Glenn (2012): “Internet Radio: The Next Digital Underground”, Billboard, July 20. http://www.billboard.com/biz/articles/news/1084561/internet-radio-the-next-digital-underground(Accessed 15/03/17)
Pollack, Neal (2011): “The Celestial Jukebox”, Wired 19(1), 74.
Rogers, Richard (2013): Digital Methods, Cambridge, Mass.: MIT Press.
Ruppert, Evelyn, Law, John & Savage, Mike (2013): “Reassembling social science methods: the challenge”, Theory, Culture & Society 30(4), 22-46.
Singleton, Micah (2016): “Does Spotify need to go after exclusive content?” February 18. http://www.theverge.com/2016/2/18/11054460/spotify-exclusive-content-apple-tidal (Accessed 15/03/17)
Spotify (2011a): “Spotify introduces music to your social life”, blog post, September 21. https://news.spotify.com/se/2011/09/21/spotify-and-facebook/ (Accessed 15/03/17)
Spotify (2011b): “What you share and how to control it”, blog post, September 27. https://news.spotify.com/se/2011/09/27/what-to-share/(Accessed 15/03/17)
Spotify (2011c): “What is Spotify?”, archived version, July 14. https://web.archive.org/web/20110714070521/http://www.spotify.com/int/about/what/ (Accessed 15/03/17)
Spotify (2013a): Main US website, archived version, August 6. https://web.archive.org/web/20130806170904/https://www.spotify.com/us/video-splash/?utm_source=spotify&utm_medium=web&utm_campaign=start (Accessed 15/03/17)
Spotify (2013b): Main US website, archived version, May 2. https://web.archive.org/ web/20130502232221/https://www.spotify.com/us/(Accessed 15/03/17)
Spotify (2014): “Career Opportunities”, archived version, January 22. https://web.archive.org/web/20141221063949/https://www.spotify.com/se/jobs/opportunitis (Accessed 15/03/17)
Sterne, Jonathan (2012): MP3: The Making of a Format, Durham: Duke University Press, 2012
Vonderau, Patrick (forthcoming 2017): “Scaling Up: Streaming Services, High Finance, and Advertising Technology”, Denise Mann (ed): Content Wars, New Brunswick: Rutgers University Press.
Wade Morris, Jeremy (2015): Selling Digital Music, Formatting Culture, Oakland: University of California Press.
Warren, Christina (2012): “Spotify Wants to Make Music Discovery Truly Social”, Mashable, December 6. http://mashable.com/2012/12/06/spotify-social-discovery/ (Accessed 15/03/17)
Wikipedia (2017): “Spotify” https://en.wikipedia.org/wiki/Spotify(Accessed 15/03/17)
Wikström, Patrik (2013): The Music Industry, Cambridge: Polity Press.
Wikström, Patrik & DeFilippi, Robert (eds) (2016): Business Innovation and Disruption in the Music Industry, Cheltenham: Elgar.
Downloads
Published
How to Cite
Issue
Section
License
Copyright (c) 2017 Rasmus Fleischer, Pelle Snickars
This work is licensed under a Creative Commons Attribution-NonCommercial 3.0 Unported License.
Copyright for all manuscripts rests with the author(s). The editors reserve the right to edit manuscripts. Contributors are responsible for acquiring all permissions from the copyright owners for the use of quotations, illustrations, tables, etc. Each author must, before final publication fill, in a publishing agreement provided by LiU E-Press.
Since 2021 Culture Unbound uses a Creative Commons: Attribution license for new articles, which allows users to distribute the work and to reform or build upon it without the author's permission. Full reference to the author must be given. For older articles please see each article landing page.
